The original October 16 release runs 5:56. A gum-chewing saboteur has until midnight to stop the Maestro’s Hush, a chord that can close every mouth in the city. An early test transforms the audience into a danger that responds to sound.
Why it matters
The hero’s ordinary habit becomes both a liability and a possible weapon. That gives the sound premise a direct effect on action: chewing, silence, timing and an audience’s attention become parts of the same problem. The spiral concert hall and grotesque animated ensemble give that problem a coherent place and tone.
The official chapters make the intended progression visible, from a cough and percussion through the Hush to a final announcement. It is a complete authored horror-comedy, not a loop or demonstration of one transformation. The film is credited to Vołkaŭ while unreported voice and music roles remain unknown.
The expanded original description, complete player, chapter structure, sampled scenes and official artwork were checked. No full critical viewing or film-specific model list is claimed.
