KARMA is Joss Monzoni’s new compact horror short, released today with a complete 1:42 video. A two-button choice supplies its dramatic rule. The entry links the original release and real artwork, while leaving undisclosed tools and crew unknown.
The wider festival collection gains What is Real? and Kennex Ma. This is an earlier film newly added to the journal: the official festival stream and creator portfolio establish the work, authorship and availability. A direct interview supplies production detail without turning the filmmaker’s general tool preferences into an assumed recipe.
A video model used for poster compositions
Henry Daubrez’s October 9 process note describes using Seedance 2.5 to explore poster layouts. He supplies characters and an environment, requests a sequence of substantially different cinematic compositions, scrubs the result and extracts a frame. The useful idea is to use temporal variation as a search through still compositions, then make the final selection himself. It is a disclosed promotional-image technique, not evidence that all shots of any specific film used that model.
A longer conversation with Jenny Krakovsky
Krakovsky shared a new Slop and Glory interview on October 9. The complete approximately 51-minute conversation is now linked from her artist record. The host introduces topics including her commercial background and bedroom feature production. The link offers context alongside the existing BOSS diary; it does not establish a new theatrical booking or additional verified production credits.