Journal ·

Masks, memories and returning worlds

Three music videos, two short stories, a new serial adventure and a released feature join, with Malfoid recasting, awards and practical repair notes.

A woman sits beside an open window in a sunlit Parisian apartmentOn a le temps (We’ve got time)Watch nowA dark mechanical chamber with a circular amber-lit structure above a blue-lit openingThe Cake Is Not a LieWatch nowA performer in sculptural blue clothing amid blue-toned portrait imageryEverything BlueWatch nowTwo clay-like characters in dark hats face each other in a blue-lit roomThe Moustache JobWatch nowNexus fantasy creatures in the original Dino Demolition Squad release artworkDino Demolition SquadWatch nowOfficial video poster for Sky Line HeistNexusWatch nowOfficial artwork for Treasure of the Himalayas Part TwoTreasure of the HimalayasWatch nowOfficial The Yellow Knight poster from Magic Engine StudiosThe Yellow KnightWatch nowMalfoid beside the I Wasn’t Joking and Don’t Wait for Me titles in the combined short’s artworkMalfoid — I Wasn’t Joking & Don’t Wait for MeWatch nowOfficial video poster for CandyCandyWatch nowA forest canopy and birds in a sampled shot from The OffsiteThe OffsiteWatch now

Three songs, three kinds of identity

Extraltodeus’s On a le temps gives ClaudiaGI a song-length sequence of doubled identities. anabology’s The Cake Is Not a Lie brings Claudia into Portal’s testing world, with an unusually detailed notebook separating generated shots, game footage, voice treatment and editing. Kelly Boesch’s Everything Blue makes colour and sculptural costume the organising rule for a complete music video.

Small capers and returning worlds

Daniił Vołkaŭ’s The Moustache Job turns three recurring clay-like characters into a brief detective story. Dino Demolition Squad joins Nexus with direction by Chris Capel, story by PJ Ace and Dan Weller, and a practical account of separating staging from performance generation.

Treasure of the Himalayas now supplies a complete released Part Two. The joint project retains Peter Hyoguchi’s named writing, directing and executive-producing credit. The Yellow Knight introduces Brian James Gage’s continuing feature practice through a studio-documented release; its official upload is playable at 1:12:46, with the studio’s differing 77-minute listing preserved as a scoped source fact.

Continuity after a change

Malfoid adds I Was Joking, Part 3 and the maker’s account of recasting Harry and Hermione. A recap bridges the new designs; a later revised compilation remains a plan. Separately, JeffTriesThings describes tracking and aligning a face patch through a moving shot, while Higginswerx compares prompting with Blender-assisted blocking. These new demonstrations are kept separate from earlier films’ production credits.

Correcting and qualifying awards

Candy receives a corrected award record: the current Lumara website and dated organiser announcement agree on its Grand Prize. The earlier Jury Selection note is superseded. The Offsite gains a maker-reported shared Dreamina Spooktacular contest win, supported by a juror’s congratulations; no sole-prize rank is inferred.

Original X releases, current players, sampled scenes, public production records and credited real artwork informed this update. The difference between the feature’s producer-listed runtime and current full-upload duration remains explicit. These are introductions and scoped production notes, not complete critical reviews.

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