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Songs, characters and directed worlds

Nine music videos, a complete fan-fiction short, recurring-character production notes and Cornered’s Torino award.

A white-haired synthetic figure holds up a transparent hand containing a miniature palaceChromatiqueWatch nowClaudiaGI smiles with a strawberry at a market in the original release artworkC’est de l’IAWatch nowClaudia in an orange flight suit sings above clouds beneath Out of Airplane Mode letteringAirplane ModeWatch nowClaudia sings beside split-flap Escape Velocity letteringEscape VelocityWatch nowClaudia in pearl-white costume beneath the words Why Would I DeceiveClodyssey (SUPERPERSUASION)Watch nowClaudia sings inside a Windows XP window over the Bliss landscapeBliss (Windows XP)Watch nowA blue-haired synthetic performer in white stands beside a city window in P DOOMP DOOMWatch nowA synthetic performer with an exposed mechanical neck stands in a workshopThe Seventh Reset (Remastered)Watch nowAn animated figure in a wide-brimmed hat against an orange sky and red light trailStelloradoWatch nowA blonde Malfoid character beside a stone wall in the original short’s artworkMalfoid — I Wasn’t JokingWatch nowCornered poster showing a man balancing on a wire above São PauloSinuca de Bico (Cornered)Watch now

Music videos join today’s collection on their own terms: direction, continuity and a sustained concept edited to a released song. Extraltodeus brings Chromatique and C’est de l’IA, with original French releases and unusually specific local-tool disclosures. anabology brings four connected Claudia videos: Escape Velocity, Clodyssey, Bliss and Airplane Mode.

What the detailed record changes

Airplane Mode’s public making-of separates human direction from delegated production. It describes grey Blender passes for motion, image references for appearance, copy-mode lip sync and notes asking the edit to linger. Its ledger distinguishes generated material, final selections and service costs. Those details are more useful than treating an overnight claim as a complete description of authorship.

Astra Blue AI’s P DOOM and VØXELLE’s The Seventh Reset are included with explicit project identities and undisclosed individual credits left unknown. Stellorado, an older Skyebrows release, is now reconsidered as a complete music video rather than an unconfirmed narrative pilot. These are discovery dates, not ten new premieres.

Narrative performance and exhibition

Malfoid — I Wasn’t Joking adds a complete, credited fan-fiction adaptation whose turn depends on sincerity being mistaken for mockery. Cornered gains the exact Best AI Short recognition from Torino Underground Cinefest’s official results.

Continuing worlds

Henry Daubrez has launched a JUNKYARD KING browser game, with its own disclosed tools. Billy Woodward’s Afahria Episode 2 post is explicitly a clip, so it does not establish a complete second-episode release. Dave Clark has shared the full approximately 70-minute Brothers’ Saga E44 interview; its availability is verified, without turning unreviewed interview statements into film credits.

HQ’s October 12 first-person concert account describes Yuri’s September 11 live presentation, human musicians and the difficulty of fitting generated images to a 100-metre, 12K screen. It is useful stage-production context, not a new standalone film release or independently audited performance specification.

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