Journal ·

Songs, private selves and returning worlds

Five music videos and two creator profiles join the collection; RIFT Episode 2, Malfoid Part 5 and a named Nexus director extend existing entries.

ClaudiaGI beside a fast train above Paris in the original Accélère artworkAccélère! — Accelerate!Watch nowA seated figure and a floating goldfish share a partly flooded room in the original Nobody’s Watching artworkNobody’s WatchingWatch nowThe foxbat persona and AFTERIMAGE title in the original music-video artworkAFTERIMAGEWatch nowHarry and Draconia in the original Space Between Us music-video artworkSpace Between Us — Malfoid Part 1Watch nowThe recurring Malfoid pair in the original I Choose You release artworkI Choose You — Malfoid Part 2Watch nowThe ornate Lyrian Chronicles RIFT title beneath a sword and contrasting wings in the Episode 2 artworkLyrian Chronicles RIFTWatch nowMalfoid beside the I Wasn’t Joking and Don’t Wait for Me titles in the combined short’s artworkMalfoid — I Wasn’t Joking & Don’t Wait for MeWatch nowA white-haired synthetic figure holds up a transparent hand containing a miniature palaceChromatiqueWatch nowClaudiaGI smiles with a strawberry at a market in the original release artworkC’est de l’IAWatch nowClaudiaGI smiles in a close-up with an orange hair streak and flower clipLa musique ne s’arrête pas — Danse sur les cendresWatch now

Five complete music videos

Accélère! gives Extraltodeus’s ClaudiaGI a train-driven satire about keeping up with constant replacement. Its locally generated picture and one-human account are attributed, while exact models remain undisclosed. Nobody’s Watching pairs Kelly Boesch’s song about private selves with conspicuously strange figures. Her song-first account separates lyrics and creative direction, Suno music and Midjourney images without borrowing an animation tool from another release.

AFTERIMAGE introduces Teally / Teallyz through a recurring foxbat persona, red interiors and an ensemble of featured community identities. The creator’s broad ChatGPT/Grok statement does not establish a precise pipeline, human vocalist or 25-person crew. The video’s October 20 upload and the linked single’s October 21 release are kept distinct from today’s discovery.

LadyWasabi / LouieVerse brings two related song videos: Space Between Us and I Choose You. Glances, ballroom movement and intervening scenes take an unofficial fantasy romance from hesitation toward commitment. The first part’s October 18 release is not recast as new today; the second part is newly released. Seedance through Dreamina, OpenArt and Topview are disclosed for Part 2, with creator-program context. These are LouieVerse’s works, separately authored from schmede’s Malfoid adaptations.

Two continuing stories

Lyrian Chronicles RIFT now links complete Episode 2 at 36:48, uploaded October 23 ahead of the earlier target. Its returning ensemble faces guild entry and the obligations of life in Lyr. The six named public collaborators and Leaflit Asari’s underlying-world credit remain visible; a sole director and exact production departments are not guessed. The pilot remains linked with its own runtime.

Malfoid’s Don’t Wait for Me, Part 5 adds a complete 2:18 instalment. Schmede’s explanation of apology, pride and a shared Quidditch refuge makes the work of motivation and staging concrete. Eleven caption variants remain captions; a combined revised cut is still a plan.

Alternate cuts and the work before a shot

Chromatique gains a restyled English-subtitled alternate cut explicitly linked to the original by its maker. C’est de l’IA now also has English-subtitled YouTube access, and La musique ne s’arrête pas links the complete English-titled share. Each stays in one canonical entry.

Nexus’s public storyboard guide adds Theo Dudley’s project-specific lead-director credit and a practical account of scale, stand-ins, screen direction, real camera positions and storyboard frames. That credit does not replace Beau Fipke’s earlier film credit. Christopher Gwinn’s latest announcement sets Treasure of the Himalayas Part One for 18:00 CEST today; the window is still forthcoming at this refresh, so no complete release is claimed.

Vołkaŭ’s artist profile also links his newly published Slop and Glory interview as context for serial work. Its introduction does not become an independently verified technical or feature-film credit.

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