Returning characters, continuing obligations
Sho AI Studio joins with three complete serial projects: ATLAS, ATLAS — NEXT and RAIDEN. Their guides preserve six, six and four original releases respectively, with each finale’s actual title and a first-episode starting link. NEXT explicitly names Seedance 2.0 / 2.5 and preparation through character design, boards and visual references.
A. Cole / Urban Novel Studios brings another kind of continuity: the family, school and civic relationships of The Way It Is. Nine full originals are verified. The opening credits name the author and the 2004 unpublished novel behind the modern adaptation; unknown models and total crew do not erase those credits.
The older The Sea Breeze Between Us moves Sho AI Studio toward letters, deception and first love. Its full 41-minute release broadens the studio’s profile without transferring every mecha production credit onto the romance.
Three complete songs
We Fight On! uses the ATLAS cast and machines in a sustained moving montage. Claudia × a16z gives a familiar synthetic performer a retro road-and-newsprint setting; the maker’s brand reference does not establish a commission. JeffTriesThings’ untitled music video builds a small emotional world around a recurring performer and recognisable rooms. Its new creator profile preserves the unusually specific account of keeping the same café, street and bedroom coherent.
These releases qualify through performed or edited visual ideas. Soundtrack lyric videos and visualizer loops do not become extra film entries merely because their music belongs to a collected series.
Small additions with clear scope
Fryant’s You Have to See joins the Circadian Stories episode guide as a brief Halloween release. Sur mesure gains an English-captioned Tailored version without a duplicate card. Extraltodeus’s artist notebook adds a concrete account of choosing frame anchors while avoiding accumulated drift. Sanxingdui: Future Past also has a new dated exhibition-source note.
Original releases and descriptions, native full playback, dates, measured durations and real imagery were checked. Missing song titles, performers, exact versions, complete teams and costs stay explicit. No full critical viewing of the newly introduced series is claimed.










